Margaret Adams Parker is a printmaker and sculptor whose works often deal with religious and social justice themes. She has an extensive exhibition record, including 25 solo shows. She taught painting and drawing for 19 years at The Art League School in Alexandria, VA, and has served as adjunct instructor at Virginia Theological Seminary since 1991.
Parker's WOMEN, a suite of 15 woodcuts, is in the collection of the Library of Congress. Her woodcut, African Exodus, was published by the UN High Commissioner for Refugees as the frontispiece to Refugee Children. Parker created a logo for Amnesty International's Northeast Regional Conference, 2011, and 20 woodcuts for Ellen Davis' new translation, Who Are You, My Daughter? Reading Ruth through Image and Text (Westminster John Knox, 2003.) She is the co-author, with Katherine Sonderegger, of Praying the Stations of the Cross - Finding Hope in a Weary Land (Eerdmans, 2019), which features her woodcut Stations.
Parker's sculpture, Reconciliation, was commissioned by Duke Divinity School. Her sculpture of MARY is installed at Washington National Cathedral's Cathedral College and at churches across the country. Mary as Prophet - He has filled the hungry with good things, commissioned by Virginia Theological Seminary, was dedicated by the Archbishop of Canterbury in 2015 and won the 2016 Faith & Form Honor Award.
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